Unreleased Jimi Hendrix

During his four-year career before his untimely death, Jimi Hendrix released only three official albums with the Experience, followed by just one live release with his newly formed Band of Gypsys in 1970. Many posthumous albums, compilations and box sets have followed, and now Hendrix's camp has announced that 12 fully-realized, previously-unreleased studio recordings will see the light of day. The first of these tracks, 'Valley of Neptune,' will be initially released on Jan. 28 exclusively on Spinner, to be followed by a worldwide release on Feb. 2.

The complete 'Valley of Neptune' album will hit stores and digital retailers on Mar. 9. That same day, the Jimi Hendrix Catalog Project will reissue, through Legacy Recordings, new deluxe CD/DVD and vinyl editions of the Hendrix classics. The DVDs will include new documentaries by Grammy-winner Bob Smeaton.

Material for 'Valley of the Sun' is from studio sessions that largely took place during a volatile four-month period in 1969. Hendrix was famously being torn in many different directions at that time, embattled with legal issues over various contracts on the business side of things that wouldn't be settled until years -- or even decades -- after his death.

More relevant to these actual recording sessions, this was the period in which Hendrix was just about to start phasing out the Jimi Hendrix Experience (featuring Noel Redding on bass and Mitch Mitchell on drums) in favor of Band of Gypsys, with bassist Billy Cox and drummer Buddy Miles. Some have speculated that it was a harbinger of a stylistic change to funkier, jazzier territories from the classic, if experimental, blues-rock of the Experience. However, several of these new tracks feature Cox on bass but Mitchell on drums. The sessions took place, alternately, at both the Record Plant in New York and Olympic Studios in London and were intended to form the foundation for the follow-up to 'Electric Ladyland.' It's an exciting unearthing, no doubt.

Like many of Hendrix's best-known recordings, 'Valley of Neptune' was mixed by Hendrix's longtime engineer, Eddie Kramer. Hendrix's sister Janie, who is CEO of Experience Hendrix LLC, says that the newly unlocked material reveals Jimi's talents as a studio innovator as well as a guitarist. "His brilliance shines through," she says, "on every one of these precious tracks."(Spinner)

Animals Mix

1.Despicable Dogs 3:55 Small Black
2.Wilderness 4:55 Active Child
3.The Infinite Pet 3:57 Spoon
4.Elephant Gun 5:49 Beirut
5.Zebra 4:49 Beach House
6.Bass Song 4:28 Hayden
7.Core of Nature 4:33 Midlake
8.The Fade 2:55 Megafaun
9.Boneless 2:52 Notwist(Grizzly Bear Remix)
10.Rats 5:09 Devendra Banhart
11.Glory Gongs 6:27 Forest Swords
12.Silver Dagger 3:16 White Antelope
13.Military Madnes 3:12 Woods
14.I Wish It Would Rain 4:35 The Cougars
15.Turn The Dirt Over 3:00 Sea Wolf
16.October Fires 4:20 Wolf People
17.Army Of Ancient 4:05 Dr. Dog
18.Honey Dove 3:43 Lee Fields & The Expressions


Download Link
http://www.sendspace.com/file/5bgdlr

Young @ Heart

I caught this on PBS the other night and it is really good. It is a doc about this choir of old folks doing songs from: Coldplay, Sonic Youth, Talking Heads, Dylan, Hendrix and more. But, it is more than about the music. Check it out.

Broken Bells Update

Here is the first song from the upcoming album (see post below).

album out March 9, 2010


The High Road

Rihanna and Shy Ronnie - SNL Digital Short [HD]

Sam Cooke(Blockhead Edit)

James Mercer & Danger

When Danger Mouse and the Shins’ James Mercer met backstage at Denmark’s Roskilde festival five years ago, the unlikely duo quickly discovered a mutual fandom. “As soon as I heard the Shins, I wanted to do something with James, no matter what,” Danger Mouse explains. Their partnership took time to develop, but in March 2008, Mercer began a peripatetic recording odyssey, sequestering for weeks on end at Danger Mouse’s Los Angeles home studio. Both were coming off of a series of high-profile, high-pressure undertakings — Danger Mouse had recently finished producing Beck’s Modern Guilt, while Mercer was coming off a controversial, radical reshuffle of the Shins’ lineup. As a result, they covertly began making music that resembled nothing either of them had ever done.

The result is Broken Bells, what was until now a top-secret collaboration. Maverick musician/studio maven Danger Mouse (a.k.a. Brian Burton) explains this latest effort is no one-off art project like Dark Night of the Soul, his much-hyped joint endeavor with Sparklehorse and film director David Lynch from earlier this year. And while he’s well known for producing the likes of Gorillaz, he claims it’s not a Shins album as produced by Danger Mouse; nor is it a trading-computer-files creation à la Gnarls Barkley, his acclaimed partnership with Cee-Lo. Nope, both Danger Mouse and Mercer agree that Broken Bells is, in fact, a band. “We just didn’t get anybody else in it but ourselves,” explains Danger Mouse. “We’d never worked together before, but then we did one song and it was great.”

Danger Mouse and Mercer make all this clear as they linger between shots during a spooky late-night video shoot for Broken Bells’ first single, “The High Road”: in the clip, the duo stalks a dark desert road with flashlights, encountering surreal characters like a burlesque dancer gyrating in a wood shack. It’s an appropriate visual for sounds that might’ve been beamed in from another dimension, one where electronica textures collide with psychedelic harpsichords and eerie Pet Sounds harmonies. “It’s melodic, but experimental, too,” Danger Mouse says of Broken Bells’ upcoming, as-yet-untitled album, which will be released via Columbia in early 2010. “We experimented a lot.”

That exploratory tendency rings clear in haunting tracks like “The Ghost Inside” and especially “Sailing To Nowhere/Deviant Sister,” which forges folk-soul apocalyptica out of carnival organ, spacey sound effects and lushly layered vocals that Mercer calls the “Age of Aquarius thing.” As such, when Mercer sings about “the guts on your blouse,” it’s obvious this is the darkest material either has made yet. “That song is really murderous — there’s some really sinister, nasty shit going on in there,” Mercer says.

Danger Mouse — infamous for mashing up the Beatles with Jay-Z on his 2004 Internet bootleg sensation The Grey Album — forsook his trademark sampling for live instruments (”Everything was played live,” he says); Mercer, meanwhile, found himself expanding his vocal style, debuting soulful falsettos and a ghostly lower-register croon that had never made appearances on his previous recordings. “There are a number of times on this record where you’d never guess it’s James singing,” Danger Mouse notes. “I’m doing things I’ve never done before,” Mercer adds. “When you’re the master of your own domain, it’s easy to fall into patterns. But with this, there was a freedom to try stuff and not worry about what it would mean for this identity I’ve created. And it just sounded cool.”

“We wanted to be in our own little world for this thing,” Danger Mouse concludes, “and it worked.”

Matt Diehl (Rolling Stone)